Reading matters

'The Crimson Petal and the White' by Michel Faber

Fiction - paperback; Canongate; 833 pages; 2003.

Michel Faber's The Crimson Petal and the White is, quite simply, an astounding literary accomplishment. Within its 800-plus pages unfolds a story that draws the reader into another time and place so expertly that you feel as if you, too, are treading the streets of Victorian-era London.

Critics have quite rightly compared Faber's epic novel with that other great Victorian writer Charles Dickens, but as Kathryn Hughes pointed out in the Guardian this one is not tempered by the social mores that prevented Dickens from writing freely. Faber's book, a 21st century novel set in the 19th century, is lewd and bawdy, gritty and real, and there's no pretense at keeping things in check lest he offend a delicate reader.

Indeed, one could argue that delicate readers should probably steer clear of this epic tale about a prostitute's rise and fall in Victorian England. His central character, 19-year-old Sugar, is infamous for turning the kinds of tricks other whores refuse to do. And while Faber may not go into great detail regarding those tricks, he certainly does not shy away from letting us into the sordid, carnal world of an 1870s streetwalker. The language can, at times, be very crude -- and if you are offended by the "C-word" you'd be wise to stay away.

But despite the constant debauchery (for want of a better word) that fills the pages, The Crimson Petal and the White never feels pornographic, nor sensationalist. Instead, because Faber has such an eye for detail and is a stickler for historical accuracy, the novel feels like an intoxicating trip into a world that few of us could ever hope -- or want -- to visit.

'Losing You' by Nicci French

Fiction - paperback; Penguin Books; 293 pages; 2007.

I'm a long-time Nicci French fan, but it's been more than two years since I picked up anything written by this husband-and-wife team. Once-upon-a-time I would anxiously await each new release, sometimes even buying them in hardcover when expenses would allow, because I enjoyed reading these psychological thrillers so much.

But I found the last French book, Catch Me When I Fall, slightly disappointing. It felt like the girl-on-the-run-from-a-stranger franchise had become tired and too formulaic, or perhaps I'd simply cottoned on to the fact that Nicci French is a one-trick pony and I wanted a little more from the reading experience. Needless to say, I didn't rush out and buy the next one: I bided my time and acquired it via BookMooch a month or so ago.

Losing You, I am happy to report, is a welcome breaking of the mould. This time it's not a young woman being stalked that forms the backbone of the narrative, but a mother searching for her missing child. It's a refreshing change.

The novel -- the 10th one in the French catalogue -- is set on Sandling Island, 60 miles from London, "but, rimmed as it was by the tidal estuary and facing out to open sea, it had the feel of a different world, gripped by weather and seasons; full of wild spaces, loneliness, the strange call of sea-birds and sighing winds". It's the ideal claustrophobic and slightly creepy setting for the story that enfolds over the course of the next 290 pages.

Nina Landry, recently separated from her husband, is about to embark on a Christmas break to Florida with her new beau and her two children, 15-year-old Charlie (Charlotte) and 11-year-old Jackson. The day ahead looms large, with a million tasks to do before the family heads to Heathrow for their 6pm flight, but things go off kilter before it even gets started. First, Nina's car breaks down, then her house is swamped by people throwing a surprise 40th birthday party for her -- and all this before 11am. 

It's only when Nina notices Charlie's absence that the suspense gets ratcheted up a notch or two. When she calls the police, they assume it's simply a case of a teenager running away because she's unhappy at home. But Nina knows this isn't true.

Embarking on her own investigation, she slowly pieces together Charlie's last movements and, in doing so, learns that the relationship she has with her daughter is not as open or as trusting as she first thought. Nina slowly begins to uncover secrets within secrets, all of which lead her to believe that Charlie will turn up dead if she doesn't find her quickly...

This is typical French fare in the sense that the suspense doesn't really let up from the word go, helped in part by absolutely no chapter breaks. The prose style hurries along at an ever-quickening pace without losing the rich detail and vivid descriptions that bring the narrative to life -- you get a real sense of the people, the places and the events that occur in ways that a less-busy, tell-don't-show style would fail to deliver.

There are plenty of twists and turns in the plot, and many characters are not what they first appear to be, and all the while the story never really escalates into all-out melodrama. Indeed, it reads as quite an authentic account of a panicked mother trying to find her missing child when the rest of the world doesn't seem to take her concerns seriously enough.

Losing You is a thoroughly entertaining read, one to quicken the pulse and test your powers of deduction all the way through. I can honestly say I did not guess the ending, nor the perpetrator, which is quite rare in much of my recent reading experience.

Now, that French seems to have worked her way into my good books once again, I wonder where I can get my hands on a copy of her latest novel Until It's Over...

'The Unknown Terrorist' by Richard Flanagan

Fiction - hardcover; Grove Press; 336 pages; 2007.

Australian author Richard Flanagan's latest novel, The Unknown Terrorist, is dedicated to David Hicks, the Australian-born Taleban fighter captured by US forces in Afghanistan in November 2001. Hicks was detained by the US Government in the Guantanamo Bay detention camp for more than five years, before he was tried and convicted of supporting terrorism in 2007. His ongoing detention without trial made him a cause célèbre in Australia.

If nothing else, this particular case highlights that those accused of terrorism are not subject to the normal "rules" under the justice system as it operates in most democratic countries: if you are in the wrong place at the wrong time you could be locked away without trial and, what's more, you could be mistreated and tortured on the simple basis that you are presumed guilty with no legal right to defend yourself.

Since the advent of 9/11 and the subsequent War on Terror, we live in dangerous times, but who is in danger? Innocent civilians who may be blown up at any moment? Or innocent people accused of plotting to blow things up on the flimsiest of "evidence"? It's a blurry line and it is exactly this line that Flanagan exploits for the purposes of this thrilling, thoroughly modern novel.

Set in Sydney across five hot, summer days, the story follows Gina Davies, a lap dancer known as the Doll, on the run from the law having been accused of helping to plot a terrorist attack. But Gina is entirely innocent. Her "crime" has been no more than having a one-night stand with an attractive stranger, Tariq, who is blamed for three unexploded bombs found at Homebush Olympic Stadium the previous day.

'The Sound of One Hand Clapping' by Richard Flanagan

Fiction - paperback; Grove Press; 425 pages; 1997.

I seem to be on a roll with Australian books. This one, my third in a matter of weeks, is by Richard Flanagan, who first came to international prominence with Gould's Book of Fish, which I read several years ago and loved very much. The book went on to win the Commonwealth Writers Prize in 2002.

Prior to this Flanagan had written two other novels: Death of a River Guide, in 1994,  and The Sound of One Hand Clapping, in 1997. Like Gould's Book of Fish, both are set in Tasmania, an island state of Australia, where the author resides.

At its most basic level The Sound of One Hand Clapping is about the strained relationship between a father and daughter, but it is far more complicated than that, touching on a wide range of issues including poverty, alcoholism, domestic violence and wartime atrocities, all set within the social and historical context of Australia's immigrant past.

'A Redbird Christmas' by Fannie Flagg

Fiction - paperback; Vintage; 207 pages; 2005.

As much as I hate the term "heart-warming" I can't help but use it to describe this delightfully charming tale set in rural Alabama.

Peppered with plenty of kooky characters -- four widows, a couple of bachelors, a crippled girl and a tame bird -- and a simple plot -- 52-year-old city man with only a few months to live moves to warmer climes and gains a second chance at life, while a young girl abandoned by her trailer-trash family falls in love with a red cardinal and is "adopted" by a local woman -- A Redbird Christmas is a gentle read that won't tax your brain matter.

Sure, it's a little on the sweet side -- the epilogue is particularly heavy-handed in the saccharine department -- but overall it's the perfect antidote for the busy yuletide season. Mind you, this novel isn't overly Christmassy, so would make an ideal light read for any time of year.

'Don't Look Back' by Karin Fossum

Fiction - paperback; Vintage; 252  pages; 2003. (Translated from the Norwegian  by Felicity David.)

A sleepy Norwegian village is rocked by the discovery of a teenage girl's naked body lying on the edge of a local, secluded lake. Did she kill herself? Or was she the victim of a sexual attack?

But there's much more to this crime than meets the eye, as Inspector Sejer soon discovers. The victim, for instance, was an extremely popular girl in the neighbourhood, but she had recently become withdrawn and had quit her school's handball team despite being a top-notch player. She had also stopped her regular babysitting work. Her mother puts this change in behaviour down to puberty; her father thinks there's slightly more going on; Sjer wonders if she might have been raped.

'The Widow's Children' by Paula Fox

Fiction - paperback; Flamingo; 240  pages; 2003.

This is one of those rare books that is almost impossible to review without quoting the whole novel from cover to cover. Pretty much every clipped and stripped back sentence in The Widow's Children resonates with meaning and provides startling insights into the ways in which family members interact and play games with one another.

Originally published in 1976 and only recently back in print via Flamingo, The Widow's Children is peppered with eccentric characters, many of them wholly detestable, seething with anger and unspoken hostility.

'The Great Gatsby' by F. Scott Fitzgerald

Fiction - paperback; Penguin; 176 pages; 1998

First published in 1926, The Great Gatsby is known the world over as a 20th Century Classic and yet I had never read it... until now.

What can I say that hasn't already been said?

It's a wonderful romp through the 1920s jazz age, an era where people, having survived the horrors of the First World War, were prepared to have a good time, to let their hair down and experience life.

Here, on Long Island a mysterious man called Jay Gatsby throws glittering parties where friends and strangers alike congregate on the lawns of his extensive estate to enjoy themselves, to drink cocktails, swim in his pool and dance to the music of a fully fledged orchestra. They also like to debate Gatsby's origins, to gossip about his past and to spread the rumour that "he killed a man".

'Desperate Characters' by Paula Fox

Fiction - paperback; Flamingo; 176  pages; 2003.

First published in 1970, Desperate Characters has recently been "rediscovered" and much acclaimed by the literary elite (in the introduction to this edition, Jonathan Franzen says that when he first read the book in 1991 he "fell in love with it. It seemed to me obviously superior to any novel by Fox's contemporaries John Updike, Philip Roth and Saul Bellow").

'Catch Me When I Fall' by Nicci French

Fiction - hardcover; Penguin; 304 pages; 2005

Holly Krauss is a bundle of energy. She's young, vibrant, creative, attractive - and always on the go. Married to the lovely Charlie, a stay-at-home artist, she runs a company of her own with her best friend and business partner Meg. But despite all her success, her whirlwind lifestyle begins to catch up with her. And when she goes on an all-night bender, the cracks begin to appear in her relationships and before she knows it her entire life is spiralling out of control.