Arnaldur Indriðason's Black Skies, the latest of his work to be translated into English, was first published in his native Iceland in 2008. The time frame is important, because the story is set shortly before the global financial crisis of September 2008 in which Iceland fared so very badly. I'm not sure whether the author wrote the book in the immediate aftermath, or whether he was just incredibly prescient, but the story makes constant reference to people living beyond their means. The main villains also happen to be bankers.
Sigurdur Óli takes centre stage
What is perhaps more interesting is that Black Skies covers the same time period as his last novel, Outrage, so that the crime being investigated in that novel is mentioned in passing in this one. And, just as in Outrage, the morose detective Erlunder — the usual star of this Reykjavik Murder Mysteries Series — is still on a leave of absence. That gives the series' other main detective, Sigurdur Óli, the chance to take centre stage.
Admittedly, Sigurdur Óli is my least favourite character in previous novels I have read — he's too opinionated, lacks attention to detail, goes at things like a bull in a china shop. But it is a credit to Indriðason's skill as a novelist that he makes him more rounded, more human, more empathetic in this story. We get to find out more about his background and his upbringing, and in doing so we learn not just of his weaknesses, but his strengths too.
When the story opens, he is attending a high school reunion, which makes him question his decision to remain in the police force. All his friends are making money, taking advantage of Iceland's economic boom, while he's dealing with the country's low-lifes. His depressive outlook isn't helped by the fact that his long-term relationship with Bergthóra has finally crumbled because of their inability to have children and his hard-working father has just been diagnosed with prostrate cancer.
Drawn into an investigation by accident
But Sigurdur Óli has a particular weakness. When people ask for a favour, he cannot say no. He spends hours on a tedious and trivial (and from this reader's point of view, hiliarious) stakeout, trying to track down a newspaper thief on behalf of his mother's friend. And when an old classmate from high school asks him to warn off a pair of blackmailers, he does so — in an unofficial capacity, thereby putting his career on the line in the process — only to find himself drawn into a mysterious murder investigation involving wife-swapping and incriminating photographs showing illicit sex.
Meanwhile, in a dual narrative, a local middle-aged drunk wreaks revenge on the now elderly step father who destroyed his childhood. He leaves Sigurdur Óli a package containing a mysterious strip of film, which is 12 seconds long, as a tip-off.
These two disparate crimes come together in a most unexpected — and satisfying — way at the very end of this superb police procedural about greed, depravity and murder.
As ever, Indriðason is not afraid to depict the grotty underbelly of Icelandic life in an unsentimental, almost cold and detached, way. Yet he writes with such skill and diplomacy that it's hard not to come away from his work feeling more empathetic and more compassionate towards one's fellow human beings. Despite being books about death, there's something truly life-affirming about Indriðason's work.
Note, this is the eighth novel in the Reykjavik Murder Mysteries Series, but you don't need to have read any of the previous titles to appreciate this one — it reads pretty much as a standalone.